Museum Study instructors are accomplished experts in their respective fields who have valuable knowledge and experience to share. To learn more about our individual instructors click on their name to see their bio.
If you are interested in becoming an instructor or know someone who would be a good instructor contact us at Instructor@MuseumStudy.com
Carnegie Museum of Natural History
Specialist in object conservation, moving collections, Integrated Pest Management, mount making and preventive care.
Independent Museum Professional
She has had the rare experience of participating in major collection moves at three different institutions.
Exhibitions Developer/Project Director
He specializes in unique ways to tell stories through exhibitions.
Conservator & Consultant
PhotoArts Imaging Professionals, LLC
Her specialty is the conservation and treatment of photographic materials, film and audio-visual media.
TECHNOSEUM & Registrar Trek
Angela is especially interested in finding affordable ways to improve collections care in smaller institutions.
Henry's work is about accelerating partnerships, research, collections-based projects and public engagement in support of a better future, locally and globally.
Science Museum of Minnesota
Specializes in preventive conservation, with an emphasis on exhibition, storage, and shipping mounts; environmental monitoring; Integrated Pest Management; and ethnographic conservation.
Collections & Exhibitions Coordinator
Aanischaaukamikw Cree Cultural Institute
In her PhD Research, Laura is focusing on decolonising museums and working with other settlers to de-centre colonial narratives in museum spaces and in her everyday life.
He has published more than 150 popular and technical articles on museum studies and herpetological topics, including five books.
Helping the staff and leadership of cultural and natural resource organizations plan for a more sustainable future.
John Veverka & Associates
Consultant in interpretive planning, training and heritage tourism.
Protect Heritage Corp.
His doctoral thesis from Goteborg University in 2003, Cultural Property Risk Analysis Model, was considered groundbreaking and has since changed the way museum collection professionals plan strategically and set priorities.
Leveraging her background in government, she has participated extensively in advocacy initiatives of the American Alliance of Museums.
Institute of Museum Ethics at Seton Hall University
Director of Legal Affairs and Intellectual Property, Indianapolis Museum of Art at Newfields
Editor of the publication Rights & Reproductions: The Handbook for Cultural Institutions.